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Above:
yeah, it's me, Ray, in my present state of baba-hood...recording 2003's
kick ass studio version of
Lots of water under that bridge.
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Something Tom Wolfe wrote years ago still resonates: no big sprawling novels emerged from the so-called "hippie" experience of the 60's—in particular, the magic year of 1966, when everyone was still beautiful (or at least grooovy) and it actually seemed that history might describe a bright new human pattern. A few years back , we saw Drop City (T.C. Boyle), in which the new morning of the 60s has given way to the dream-jaded 70's —luridly downbeat, post-Altamont, post-Manson, post-Easy Rider. The end of the affair. But wasn't Applestock–in its delicious secrecy, its unafflicted innocence–the hallowed matrix where "The Sixties" actually began? Whaddya think? E-mail me: babaray@applestocknation.com Okay,
I've got my own ideas, but now that I'm myself a character in William
McCranor Henderson's barbaric, shambling yawp of a manuscript, Applestock'66
it's all academic. The book is within weeks, days, hours, minutes of being finished (as it has been for years).
I'm past caring any longer whether or not it contains frank revelations about me or reveals
the weirdly skewed thinking pattern of my youth. I don't even care that 30-odd years later, I find my behavior inconceivable and mortifying. Folks, here's the reality: Applestock '66 is the only honest treatment we'll ever have of the crypto-legendary Applestock Festival of Rock and Folk. Deaths and freakouts over the years insure that no more eye witness accounts will be written. This revelation dawns when we're only beginning to know how huge a moment "Applestock" was for the planet. How monumental. How ineluctably defining of everthing that followed in its mythic wake. As for
me & my silly pride, I can only kneel before the legend of Applestock
and say, even of my part in it..."I'm not worthy. I'm only one man...a Baba, yes, but one man only."
Until the book appears, tease your appetite with some little packets of mind candy. |
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